Gund Hall’s studio trays form both the physical and pedagogical core of the GSD experience, drawing together students and faculty from across the departments of architecture, landscape architecture, and urban planning and design. The creative, collaborative atmosphere of the trays is supplemented by Gund Hall’s advanced information infrastructure, media-enriched presentation spaces, vast library resources, and open access to fabrication technologies, enabling architecture students to develop, discuss, exchange, and materialize ideas through a comprehensive range of platforms and media. The student experience is further enriched by the School’s renowned lecture and public program series, exhibitions, and publications, as well as the resources available across Harvard University and the nearby Massachusetts Institute of Technology (MIT). Students in the Department of Architecture are integrated into an active network of internationally recognized designers, dedicated to addressing the changing needs of the modern world.
In the Philippines, an academic thesis is named by the degree, such as bachelor/undergraduate thesis or masteral thesis. However, in Philippine English , the term doctorate is typically replaced with doctoral (as in the case of "doctoral dissertation"), though in official documentation the former is still used. The terms thesis and dissertation are commonly used interchangeably in everyday language yet it generally understood that a thesis refers to bachelor/undergraduate and master academic work while a dissertation is named for doctorate work.
Don Ihde called the hypothesis being 'hyped' and referred to clear evidence about the use of optical tools by, ., Albrecht Dürer and Leonardo da Vinci and others. As well the 1929 Encyclopædia Britannica  contains an extensive article on the camera obscura and cites Leon Battista Alberti as the first documented user of the device as early as 1437.  Ihde states abundant evidence for widespread use of various technical devices at least in the Renaissance and . in Early Netherlandish painting .  Jan van Eyck 's 1434 painting Arnolfini Portrait shows a convex mirror in the centre of the painting. Van Eyck also left his signature above this mirror,  showing the importance of the tool. The painting includes a crown glass window in the upper left side, a rather expensive luxury at the time. Van Eyck was rather fascinated by glass and its qualities, which was as well of high symbolic importance for his contemporaries.  Early optical instruments were comparatively expensive in the Medieval age and the Renaissance.