Pieces from Diego's collection would also appear in many of her paintings or serve as models or inspiration for a painting. Her 1932 painting "My Birth" in which she paints " how I imagined I was born ", a statue of the Aztec Goddess Tlazolteolt may have been the model. In "My Nurse and I" from 1937, the "Nurse" is wearing a Teotihuacán mask and the "Madonna and Child" pose may have been modeled after a pre-Columbian statue. Pre-Columbian artifacts can be found in other paintings as well: "The Four Inhabitants of Mexico City" (1938), "Girl with Death Mask" (1938), and "Self-Portrait with Small Monkey" (1945).
Political pamphleteering was a fashionable pastime in Swift's day, which saw vast numbers of tracts and essays advancing political opinions and proposing remedies for Ireland's economic and social ills. Swift's tract parodies the style and method of these, and the grim irony of his own solution reveals his personal despair at the failure of all this paper journalism to achieve any actual progress. His piece protests the utter inefficacy of Irish political leadership, and it also attacks the orientation of so many contemporary reformers toward economic utilitarianism. While Swift himself was an astute economic thinker, he often expressed contempt for the application of supposedly scientific management ideas to humanitarian concerns.
Another unique feature of the stage is the hashigakari , a narrow bridge at upstage right used by actors to enter the stage. Hashigakari means "suspension bridge", signifying something aerial that connects two separate worlds on a same level. The bridge symbolizes the mythic nature of Noh plays in which otherworldly ghosts and spirits frequently appear. In contrast, hanamichi in Kabuki theatres is literally a path ( michi ) that connects two spaces in a single world, thus has a completely different significance.