The Sacred Grove of Oshogbo was one place I had been looking forward to visiting in Nigeria. As prevalent as indigenous religions still are in West Africa, it is often hard to find public expressions of them in towns and cities; the Christianity brought by European slavers and colonialists has taken root and pushed most of these religions out of mainstream life. But in the Sacred Grove shrines honor all the local deities, including Obatala, the god of creation, Ogun, the god of iron, and Oshun, the goddess of water, whose aqueous essence is made manifest by the river running through the trees. The place is unique in the Yoruba religion, and that intrigued me.
B OOK Geissler, E. M. (1998). Pocket guide to cultural assessment (2nd ed.). St. Louis, MO: Mosby. You can also go to , search the world's largest database of library books, and click on "Cite this item" for almost any book. Its APA citations are not 100% correct, though; beware of capitalization , state of publication, and punctuation errors (see NOTES ).
Once formed, enemy images tend to resist change, and serve to perpetuate and intensify the conflict. Because the adversary has come to be viewed as a "diabolical enemy," the conflict is framed as a war between good and evil. Once the parties have framed the conflict in this way, their positions become more rigid. In some cases, zero-sum thinking develops as parties come to believe that they must either secure their own victory, or face defeat. New goals to punish or destroy the opponent arise, and in some cases more militant leadership comes into power.